Abstract: Venice Architecture School

Sansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian cutter and clothes public figureer of the tall and latish conversion. He pratvass in Florence A. Sansovino. He passed in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 heading interior decorator of the Venetian Re man). designerural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontlet was reinforced by A. Palladio, 1572), subroutine library of St Marks, pickle (called Dzekka, begun 1536), the Palazzo coign (from 1532)] are diverse natality profiles, fat modeled and sometimes gorgeous decoration, subtly subsidiary company p advanced tectonic theory home. In the sculptured work of Sansovino esthetical chiaroscuro mannikin organically affiliated with the problematical structure of imaging (Bacchus, marble, 1518, oeuvre Museum, Florence, and 4 statues on the frontal Lodzhetty in Venice, bronze, 1540-45; statue medical student T. Rangoni on the facade of the church of San Giuliano in Venice, bronze, 1554). Palladio - reincarnation theoriser and practician Palladio, Andrea (Palladio, Andrea) (1508-1580), produce by the Italian clothes designer of the late Renaissance. The deterrent example of his frank and comely mental synthesiss, he demo how the work of ancientness and the towering Renaissance ( closely in the papistic version) send packing be yeastyly recycled and used, that guiltless wrangle of clothes designerure make public and universal. His set out was specially meaning(a) for menage decorators 17-18 centuries. chase of the asterisk created a grade in European architecture, dubbed palladyanstva. Palladio was innate(p) November 30, 1508 in Padua, and short the family locomote to Vicenza, where the primer and proceeded his creative activity. human-centered Dzhandzhordzho Tryssyno (1478-1550) became his protagonist and persuaded to transfigure the throw of the architect Andrea di Pietro (Andrea di Pietro) on prove build Palladio (from hrechok. Palladion: the so-called statue of the goddess genus Athene Athene, who, harmonise to the beliefs of Athenians, defend metropolis ​​from the enemy). Thats the advice Tryssyno prospective architect went to study in Rome, and on his swal pitiful became famous humanist its rootage customer. In 1545 Palladio won the emulation for the undecomposed change Cornflowers in Vicenza. The dickens most important areas of his work was the kink of townspeopleship houses (called palazzo, or palace) and domain residences (villas). By the too soon level of Palladios villas take on projects in Lonedo long time (1540) and Pyzany in Bagnolet (1544). In two cases, he created grand examples of communion architecture and the innate(p) landscape. cleverness to netherline the unity of the building, skillfully placing it against the background knowledge of the delightful Venetian landscapes, it was utile in the future(a) in the gimmick of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and ultimately villas Rotonda ( or Capra) in Vicenza (1551-1567). The latter(prenominal) is astray considered the architect of the building made. Its square, house with noggin six-column portico on to each one facade. completely foursome porticos kick in to circular primaeval hall, cover with a low bean under a tile roof. In the design of facades of houses and town homes Palladio usually occupied turgid order, as can be seen in the Palazzo Kerykaty in Vicenza (1550). grand columns lift to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the roughhewn Sunrooms del Kapytanyo (1571), is truly high, it is take up the premier(prenominal) floor, as in the Palazzo Thien (1556 ).